No Title Given Muse created another piece of art on a Federal building that depicted Spiderman and says, “Spiders are people too.” His other works include Luke Cage, Iron Fist, Moon Knight, She-Hulk, and Daredevil. The art is favorable to superheroes and thus against Mayor Fisk stance against the superhero community.
In the newly elected mayor’s office, Wilson Fisk and Wesley discuss the conflicting narratives. Wilson is concerned that public opinion could be swayed by Muse’s artwork that portrays heroes as victims. He wants a concerted effort to find Muse and stop his artistic vandalism.
In the office of the Deputy Mayor, Matt Murdock is concentrating to hear Wilson Fisk’s conversation in the Mayor’s office. At the same time Matt’s colleague, Steve, is going through piles of binders and realizes that Matt isn’t listening. After a brief interruption, Matt starts listening intently to determine the Mayor’s next move.
Wesley has a series of meetings set up and is leaving to attend the first one. Wilson instructs Wesley to make it clear that times have changed and this is the new way. On leaving Wesley runs into Matt Murdock at the door. Matt and Wilson have the office to themselves now and Matt tries to convince him that Muse isn’t a typical killer. He warns Wilson that police officers will die if they face Muse. Wilson figures out that Matt knows this information because of Daredevil and threatens him with conspiracy charges if he brings it up again.
Matt changes into his black Daredevil costume and tracks Wesley. Wesley meets with several supervillains about working in city government positions. All parties will be meeting in Sarnos on Saturday night.
In the Meatpacking district, two young ladies find Muse signing his name to his latest work of art, Punisher. They take a picture with him but the shot doesn’t come out right. Before they can take another shot Muse starts obsessing on one of the girls. He is getting too close. Six police officers show up with guns drawn but somehow Muse is able to slaughter all of them.
Later at the scene of the crime, Wilson Fisk determines to use this tragedy as a rallying cry.
- Ron C.